Since framing an oil or acrylic painting, on a stretched canvas or panel, doesn't require glass or plexiglass to protect the painting, the procedure is much simpler than framing a watercolor or pastel.
Every artist seems to have a collection of old picture frames tucked around the studio: some damaged, some out of fashion, some casualties of change in personal taste. The goal of every painter is to find an economical, good quality, and efficient system to frame paintings.
As my art workshop travels wind down for the year, I think of all the wonderful experiences and people I have met along the way. Each group is unique with its own personality, and each location provides new adventures.
Golden brand OPEN acrylic paints, which dry much slower than traditional acrylics, offer great possibilities for blending. In the following studio workshop demonstration, I strive to paint quickly with the same freedom and bold brushwork that I use when working outdoors on location.
It seems that every art instructor requests a different palette of colors. This can be very confusing for students. Here are the basics of choosing a watercolor palette and tips on selecting and organizing your colors.
